Search: Starring Anna Kendrick

Like several genre-splicing and convention-lampooning comedies of late, the film tries to have its cake and eat it, but this can leave both sides of the recipe feeling half-baked.

The action sequences are alright, but The Accountant falls into the common superheroic trap (or trope) of confusing origin stories with character development.

In its subtleties and strength it finds new ways to explore difficult ground.

The trouble is you don't care

Graff has created a unique piece of work that will, eventually, receive its standing ovation.

When satire bites it draws blood. This one leaks fizzy water that’s gone flat.

What might in lesser hands have been an aimless, stilted disaster here becomes, thanks to these capable, funny capable actors, a finely observed naturalist comedy of manners.

Sit back and enjoy the ride with LA's finest.

In the woods, we are firmly placed in the shoes of the children and slowly start to understand the adults through their songs.

Feels less experimental and alternative than, well, the zombie genre demands.

A college fanzine rub that doesn't leave a mark on your conciousness.

Overall the characters fail to transcend their archetypes, despite Kodi Smit-McPhee anchoring the film with real emotion.

What makes Rocket Science endearing will doubtless make it infuriating to some, but those that could like it will like it a lot.

For all the postmodern presentation, every emotion here ultimately rings true, and there are enough great ideas, oddball characters, amiable performances and big laughs to ensure that this remains a cult favourite.

Laughing at morons and drunk people and social incompetents feels embarrassing and uncomfortable

With their Day-Glo colours, singing and attitude to hugging, this is probably one of the few animations that will simultaneously appeal to the very young, any parents nostalgic for rave culture and grandparents who tuned in and dropped out.

This movie is ridiculous.

As far as teen fantasy movies go, Eclipse is pretty good.

If you're an emotional teenage girl, take a tissue. If you're not, take a cushion, for this is a film that lasts about three days. And a sickbag.

A quick script and sharp performances all round help deliver an enjoyable, if ultimately sentimental commentary of the times.

For a while, at least, The Voices rattles along like a charming slasher comedy of errors.

Clichéd, predictable and hugely sexist.